Rebecca is an artist from London that produces large-scale multichannel audiovisual projects. She has a predominant concept of using rhythm and musicality within video and sound editing to disturb the narrative flow by evoking a psychological and neurodivergent relationship to language, words, loops and noise – meditating on memory and its voices, while spatialising layers of sound, vibrations and visceral texts that fragment and repeat.
MOUTHS: is a project developed for David Dale Gallery (2021). It is a pop song with a lot of emphasis on vocals. In the performance, I used a red cover to defuse my silhouette.
WORDS ARE ANGULAR SHARP (2018): Rebecca started to pay more attention to sound in this project. I began to use sounds that usually edit them out as the central focus of my pieces. I started working with vocal percussion. It was released in Matts Gallery.
EATING THE WALLPAPER COLLAPSES THE SHARP LINES (2019): How voices can be spatialised? It is an eight-speaker polyvocal performance that took place in Kunstraum. Apart from a live vocal performance, some other pre-recorded voices were going around the audience. The performers were wearing black suits, while the audience was lighting different RGB colours throughout the undertaking.
LIQUID I (2020): 6 speakers installation that took place in Nottingham exploring vocal percussion. The breaking point of this piece started with carp fishing in Nottingham. She talked to a fisherman who describes the experience as landscape photography. The fished is captured, held by the capturer, and then shared in a large community of people that appreciate the same practice. Photographs circulate as trophies. In this piece, I was focusing on the carp experience that has been captured. Another motif was the mosquitos recorded in a Medical School. Rebecca collab with Sophie Jung.
THE KNOT COMMONS: Three-channel video performance in Southwark Park Gallery and Matts Gallery (commission) in 2021. Mouths spit water. Mosquito split blood. Everything is interconnected with rhythmic sounds. The three performers were placed in different locations in the installation, and they had other scripts.